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« on: October 14, 2013, 09:05:40 am »
e greater strides toward social equality and acceptance than those educated in largely black city schools.And Orfield adds that contrary to widespread popular belief, there is no ``significant'' evidence that desegregation ``harms'' whites academically. Too often, he says, desegregation is viewed as a benefit only to minorities. His three daughters have been enrolled in urban public schools in every city in which they've lived. Their father feels they are the richer for the experience in a society increasingly Hispanic and black. He notes that 23 of the 25 largest cities now have minority majorities in thei r public schools.Indeed, he suggests, it is the longterm pattern of economic and social discrimination against minorities which has led to the serious problem of urban minorities isolated from jobs and the social mainstream. Instead of focusing on the real reason for the devolopment of this ``underclass,'' h
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 ll only go higher.Mr. Spielberg's ``Jurassic Park'' ``is a menace to French culture,'' says Culture Minister Jacques Toubon, because ``with 450 copies [in France], it will show in 1 of every 5 movie theaters in cities with fewer than 20,000 inhabitants.''These effects of American cinema's global dominance are what has the French government crying ``cultural invasion'' once again. Only this time, the French say they are out to protect not just themselves, but all of Europe, from the invaders.The forum where the French are making their case for cultural protection is the Uruguay Round of international trade liberalization negotiations under the General Agreement on Tariffs and Trade (GATT).If a global trade accord includes movies, as the US wants, France insists it will not sign. The French worry that GATT will make it even easier than it already is for US distributors to market US cultural products abroad.The GA
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 z left three sisters and his parents behind when he escaped simply by boarding the Berlin subway and stepping off at a thenaccessible West Berlin stop. When the Wall was opened recently he called one of his sisters  the only one with a telephone.``I said, What is going on'' Schulz says. ``She said she went over to West Berlin and took a stroll in the business district. On the way back she bought herself some oranges. She was thrilled because fruit is a luxury there.''Will she be moving west ``She happens to be in her mid40s,'' Schulz says. ``She has what she wants. She is satisfied as long as she has a little more freedom to go and come as she wants.''Like this professional, most working women about to be married must snatch time when they can to plan for their weddings. Many do not have the luxury of mothers or relatives living close by to help order flowers, scout out reception locations, find musicians and
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 y or not.Still, this year's bestpicture nominations have a solidity and dignity that deserve at least two cheers. They indicate that a longawaited younger generation of academy members is consolidating a shift in sensibility that was signaled when ``The Silence of the Lambs'' made its sweep in 1992, despite visual and narrative ingredients (those horrormovie shocks) that would have placed it offlimits a few short years earlier.There's good news in categories other than best picture, too. Laurence Fishburne and Angela Bassett are named for their sensitive acting in ``What's Love Got To Do With It,'' one of the year's most underrated films. Tom Hanks is no better than the overlooked Denzel Washington in ``Philadephia,'' but Hanks's nomination  along with Ron Nyswaner's for best original screenplay  shows that a sincere look at the AIDS crisis is not too discomfiting for Hollywood.And it's good to see offbeat acti
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